Richard Wright’s Bigger Thomas as Jesus Christ

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I am spending a great deal of time today studying Richard Wright. I cannot help but note how Wright so eloquently defined black alienation in Bigger Thomas — the victim of racism, classism, and urbanism in Native Son. As I tell my students, Bigger represents every emotional anger held by Wright. Both Christ and Bigger were ignored by the communist. There was no Proletarian revolution. Bigger represents Christ in so many ways. Poor, isolated, and seeking meaning in a world that rejected him. Many will argue that Christ understood his role and purpose, but like Bigger, Christ was executed and sought an explanation from God as to why. Bigger was a victim of society. Black folks failed Bigger. Christians and communists ignored him. And, white people killed him. Wright does not care for religion. His relationships with Christians did not permit an opportunity to explore faith. His upbringing in the Deep South only furthered his anger. 

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